Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis' Psappha.
Identifieur interne : 000279 ( Main/Exploration ); précédent : 000278; suivant : 000280Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis' Psappha.
Auteurs : José L. Besada [Espagne] ; Anne-Sylvie Barthel-Calvet [France] ; Crist Bal Pagán Cánovas [Espagne, Allemagne]Source :
- Frontiers in psychology [ 1664-1078 ] ; 2020.
Abstract
Understanding compositional practices is a major goal of musicology and music theory. Compositional practices have been traditionally viewed as disembodied and idiosyncratic. This view makes it hard to integrate musical creativity into our understanding of the general cognitive processes underlying meaning construction. To overcome this unnecessary isolation of musical composition from cognitive science, in this conceptual analysis, we approach compositional processes with the analytic tools of blending theory, material anchoring, and enaction. Our case study is Iannis Xenakis' use of sieves for distributing rhythmic patterns in Psappha. Though disregarded in previous accounts, the timeline and the gearwheel provide crucial conceptual templates for anchoring Xenakis' idea of time for this score. This case study of conceptual integration templates for temporal representation seeks to gain insight into musical creativity, embodiment, and blending, especially into how virtual interactions with material structures facilitate the construction of complex meanings.
DOI: 10.3389/fpsyg.2020.611316
PubMed: 33536978
PubMed Central: PMC7849451
Affiliations:
- Allemagne, Espagne, France
- Alsace (région administrative), Bade-Wurtemberg, Communauté de Madrid, District de Tübingen, Grand Est, Lorraine (région)
- Madrid, Metz, Strasbourg, Tübingen
- Université complutense de Madrid, Université de Lorraine, Université de Strasbourg
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Compositional practices have been traditionally viewed as disembodied and idiosyncratic. This view makes it hard to integrate musical creativity into our understanding of the general cognitive processes underlying meaning construction. To overcome this unnecessary isolation of musical composition from cognitive science, in this conceptual analysis, we approach compositional processes with the analytic tools of blending theory, material anchoring, and enaction. Our case study is Iannis Xenakis' use of sieves for distributing rhythmic patterns in <i>Psappha</i>. Though disregarded in previous accounts, the timeline and the gearwheel provide crucial conceptual templates for anchoring Xenakis' idea of time for this score. This case study of conceptual integration templates for temporal representation seeks to gain insight into musical creativity, embodiment, and blending, especially into how virtual interactions with material structures facilitate the construction of complex meanings.</div></front></TEI><pubmed><MedlineCitation Status="PubMed-not-MEDLINE" Owner="NLM"><PMID Version="1">33536978</PMID><DateRevised><Year>2021</Year><Month>02</Month><Day>06</Day></DateRevised><Article PubModel="Electronic-eCollection"><Journal><ISSN IssnType="Print">1664-1078</ISSN><JournalIssue CitedMedium="Print"><Volume>11</Volume><PubDate><Year>2020</Year></PubDate></JournalIssue><Title>Frontiers in psychology</Title><ISOAbbreviation>Front Psychol</ISOAbbreviation></Journal><ArticleTitle>Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis' <i>Psappha</i>.</ArticleTitle><Pagination><MedlinePgn>611316</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.3389/fpsyg.2020.611316</ELocationID><Abstract><AbstractText>Understanding compositional practices is a major goal of musicology and music theory. Compositional practices have been traditionally viewed as disembodied and idiosyncratic. This view makes it hard to integrate musical creativity into our understanding of the general cognitive processes underlying meaning construction. To overcome this unnecessary isolation of musical composition from cognitive science, in this conceptual analysis, we approach compositional processes with the analytic tools of blending theory, material anchoring, and enaction. Our case study is Iannis Xenakis' use of sieves for distributing rhythmic patterns in <i>Psappha</i>. Though disregarded in previous accounts, the timeline and the gearwheel provide crucial conceptual templates for anchoring Xenakis' idea of time for this score. This case study of conceptual integration templates for temporal representation seeks to gain insight into musical creativity, embodiment, and blending, especially into how virtual interactions with material structures facilitate the construction of complex meanings.</AbstractText><CopyrightInformation>Copyright © 2021 Besada, Barthel-Calvet and Pagán Cánovas.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Besada</LastName><ForeName>José L</ForeName><Initials>JL</Initials><AffiliationInfo><Affiliation>Department of Musicology, Universidad Complutense de Madrid, Madrid, Spain.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Barthel-Calvet</LastName><ForeName>Anne-Sylvie</ForeName><Initials>AS</Initials><AffiliationInfo><Affiliation>Department of Music and Musicology, Université de Lorraine, Metz, France.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>Labex GREAM, Université de Strasbourg, Strasbourg, France.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Pagán Cánovas</LastName><ForeName>Cristóbal</ForeName><Initials>C</Initials><AffiliationInfo><Affiliation>Department of English Philology, Universidad de Murcia, Murcia, Spain.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>Department of Quantitative Linguistics, Universität Tübingen, Tübingen, Germany.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType><PublicationType UI="D016454">Review</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2021</Year><Month>01</Month><Day>18</Day></ArticleDate></Article><MedlineJournalInfo><Country>Switzerland</Country><MedlineTA>Front Psychol</MedlineTA><NlmUniqueID>101550902</NlmUniqueID><ISSNLinking>1664-1078</ISSNLinking></MedlineJournalInfo><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">Iannis Xenakis</Keyword><Keyword MajorTopicYN="N">compositional creativity</Keyword><Keyword MajorTopicYN="N">conceptual integration</Keyword><Keyword MajorTopicYN="N">enaction</Keyword><Keyword MajorTopicYN="N">material anchors</Keyword><Keyword MajorTopicYN="N">science-based composition</Keyword><Keyword MajorTopicYN="N">time conceptualization</Keyword></KeywordList><CoiStatement>The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.</CoiStatement></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="received"><Year>2020</Year><Month>09</Month><Day>28</Day></PubMedPubDate><PubMedPubDate PubStatus="accepted"><Year>2020</Year><Month>12</Month><Day>07</Day></PubMedPubDate><PubMedPubDate PubStatus="entrez"><Year>2021</Year><Month>2</Month><Day>4</Day><Hour>5</Hour><Minute>51</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2021</Year><Month>2</Month><Day>5</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2021</Year><Month>2</Month><Day>5</Day><Hour>6</Hour><Minute>1</Minute></PubMedPubDate></History><PublicationStatus>epublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">33536978</ArticleId><ArticleId IdType="doi">10.3389/fpsyg.2020.611316</ArticleId><ArticleId IdType="pmc">PMC7849451</ArticleId></ArticleIdList><ReferenceList><Reference><Citation>Psychol Sci. 2002 Mar;13(2):185-9</Citation><ArticleIdList><ArticleId IdType="pubmed">11934006</ArticleId></ArticleIdList></Reference><Reference><Citation>Psychon Bull Rev. 2008 Apr;15(2):426-30</Citation><ArticleIdList><ArticleId IdType="pubmed">18488663</ArticleId></ArticleIdList></Reference><Reference><Citation>Cogn Sci. 2010 Nov;34(8):1430-51</Citation><ArticleIdList><ArticleId IdType="pubmed">21564254</ArticleId></ArticleIdList></Reference><Reference><Citation>Front Psychol. 2019 Nov 28;10:2634</Citation><ArticleIdList><ArticleId IdType="pubmed">31849757</ArticleId></ArticleIdList></Reference></ReferenceList></PubmedData></pubmed><affiliations><list><country><li>Allemagne</li><li>Espagne</li><li>France</li></country><region><li>Alsace (région administrative)</li><li>Bade-Wurtemberg</li><li>Communauté de Madrid</li><li>District de Tübingen</li><li>Grand Est</li><li>Lorraine (région)</li></region><settlement><li>Madrid</li><li>Metz</li><li>Strasbourg</li><li>Tübingen</li></settlement><orgName><li>Université complutense de Madrid</li><li>Université de Lorraine</li><li>Université de Strasbourg</li></orgName></list><tree><country name="Espagne"><region name="Communauté de Madrid"><name sortKey="Besada, Jose L" sort="Besada, Jose L" uniqKey="Besada J" first="José L" last="Besada">José L. 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